“Think you’re worth more, do you? How much d’you think you’re worth, eh?”
The assistant, with his heart in his mouth, would suggest that he thought he ought to have another two shillings a week.
“Oh, very well, if you think you’re worth it. You can ‘ave it.” Then he paused and sometimes, with a steely eye, added: “And you can ‘ave your notice too.”
It was no use then to withdraw your request, you had to go. The manager’s idea was that assistants who were dissatisfied did not work properly, and if they were not worth a rise it was better to sack them at once. The result was that they never asked for one unless they were prepared to leave. Philip hesitated. He was a little suspicious of the men in his room who told him that the buyer could not do without him. They were decent fellows, but their sense of humour was primitive, and it would have seemed funny to them if they had persuaded Philip to ask for more wages and he were sacked. He could not forget the mortification he had suffered in looking for work, he did not wish to expose himself to that again, and he knew there was small chance of his getting elsewhere a post as designer: there were hundreds of people about who could draw as well as he. But he wanted money very badly; his clothes were worn out, and the heavy carpets rotted his socks and boots; he had almost persuaded himself to take the venturesome step when one morning, passing up from breakfast in the basement through the passage that led to the manager’s office, he saw a queue of men waiting in answer to an advertisement. There were about a hundred of them, and whichever was engaged would be offered his keep and the same six shillings a week that Philip had. He saw some of them cast envious glances at him because he had employment. It made him shudder. He dared not risk it.